(phonology, orthography, grammar) the eighth row of the 五十音図 (literally “table of the fifty sounds”), consisting of the five kana や/ヤ (ya), い/イ (i) (alternatively, 𛀆/𛄠 (yi)), ゆ/ユ (yu), え/エ (e) (alternatively, 𛀁/𛄡 (ye)) and よ/ヨ (yo), two of which are taken from the あ行 (“a-row”) to represent classical grammatical inflection in modern text

(phonology, orthography, grammar) the tenth and last row of the 五十音図 (literally “table of the fifty sounds”), consisting of the five kana わ/ワ (wa), ゐ/ヰ (wi), う/ウ (u) (alternatively, 𛄟/𛄢 (wu)), ゑ/ヱ (we) and を/ヲ (wo), one of which is taken from the あ行 (“a-row”) to represent classical grammatical inflection in modern text

(phonology, orthography, grammar) the fifth row of the 五十音図 (literally “table of the fifty sounds”), consisting of the five kana な/ナ (na), に/ニ (ni), ぬ/ヌ (nu), ね/ネ (ne) and の/ノ (no)

(phonology, orthography, grammar) the sixth row of the 五十音図 (literally “table of the fifty sounds”), consisting of the five kana ま/マ (ma), み/ミ (mi), む/ム (mu), め/メ (me) and も/モ (mo)

(phonology, orthography, grammar) the fourth row of the 五十音図 (literally “table of the fifty sounds”), consisting of the five kana た/タ (ta), ち/チ (chi), つ/ツ (tsu), て/テ (te) and と/ト (to)

(phonology, orthography, grammar) the ninth row of the 五十音図 (literally “table of the fifty sounds”), consisting of the five kana ら/ラ (ra), り/リ (ri), る/ル (ru), れ/レ (re) and ろ/ロ (ro)

(phonology, orthography, grammar) the third row of the 五十音図 (literally “table of the fifty sounds”), consisting of the five kana さ/サ (sa), し/シ (shi), す/ス (su), せ/セ (se) and そ/ソ (so)

Reeves' shad

shinjitai (a form of Japanese kanji used after 1947)

(literally) a new world