If you want to buy a bicycle, you need to put the money in your piggy bank.
But if the same scene is shot in singles (or “over-the-shoulder” shots where one of the actors is only a lumpy shoulder in the foreground), the editor and the director can almost redirect the scene on film.
I don't have to come on strong, or remind him that I am a good catch.
I'm in possession of the car.
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