We'd like to thank all the contributors who have invested countless hours into this event.
I was an editor at the magazine Spex at that time, that is, around 1992 and 1993, and to us, it was partly obvious, partly nonsense, that klangkunst, krautrock (see Papenburg in this book), and techno of the early nineties, a very pop-cultural thing, would have a lot in common with each other.
The employee wrote a clever infotisement for the Industry Association newsletter.
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