And the citationality of these acts—and the calibration of such citationalities to each other—materializes as the very media forms in question.

The overture was almost at a close; and silence being now more effective than any thing that he could urge in favour of the play, Courtenaye went behind the scenes:...

Far below him plashed the waters, / Plashed and washed the dreamy waters; […]

Quadrupling four gives sixteen.