A training device for tactually indicating to a player whether the player's hand has properly gripped the handle of a racket for forehanded play and for backhanded play

[…] Boorstin's (1987) caricature of the tourist as a cultural dope capturing tautologically on camera the sights that s(he) was told to see lay not so much in his stress on ocular-centric ritual as in the nature of the videndum.

I’d like to find a back issue of that magazine.

She swizzled the milk into her coffee.