The study area is topographically well-defined and within it non-commercial farms of very small sizes are distributed spottedly.

One senses from the paintings that followed his first explosion of production that he hoped to unget the hang of something he'd just gotten the hang of, to whittle down even further his self-professed paucity of conceptual and manual means.

Kelly next upgrades her withdrawal by first drawing the figure (which is hidden in a twohanded grasp) to her side.

Nay, is not the author himself logicking against logic, from the beginning of his book to the end ?