The villain of this piece—the worm in the apple of Revolutionary antislavery—was white racism.

If the retro-futures are based in externalization and visibility, then one notices in the architecture of Future World the very erosion of the visible and the dataist implosion behind the mirrors of anonymous technocultural interfaces.

Here the canal came to a check, ending abruptly with a large lock.

These farm co-operatives embodied the philosophy of cooperativism in the U.S.