Ile goe tell all the Argument of his Play aforehand, and so stale his Inuention to the Auditory before it come foorth.

Some of the uprights in the banister were broken, and so much of Wheeler’s blood had been spilt that the soles of his bare feet were covered in blood, while the route his opponent had taken downstairs after the fight was over was marked by his bloody sockprints.

And chide the cripple tardy-gaited night, who, like a foul and ugly witch, doth limp so tediously away.

It’s a studied disruption, which is fitting, since the Belgian-born Martin Margiela, who got his start designing for Jean Paul Gaultier in the ’80s, was the progenitor of the seam-exposed inside-out deconstructivist aesthetic of the late ’80s and early ’90s.