Oliver uses dynamic, sonorous, and timbral contrasts uniquely, from his haunting Ellingtonesque opening (muted trumpet, trombone, clarinet) through the assertive baritone sax, the growl trumpet (Oliver), the celeste, the temple block, the bluesy guitar, and the almost pianissimo saxes—all perfectly contained by Organ Grinder's Swing's careful introduction and coda.
By this stage, Goof was clearly warming to his theme and, as they flashed past the post together, he reported that it was a photo. And I don't know or care who won the photo, he concluded.
It is true, the organization of the humane and animal Body, with accommodation to their several functions and offices, is certainly fitted with the most curious and exact Mechanism imaginable
Soon Marshall is doing an elaborate foot-to-foot jig, and then they're all bounding around. Shoulder dips. Yee-ha faces. It's an impromptu hoedown.