The fact is that a considerable number of Rembrandt's original coppers are still in material existence, though the greater part of them have been so much deteriorated by wear, and so injured by retouchings and rebitings, as to be artistically valueless.

At some point in the decreolization process, however, xenolectal structures become masked by surface-structure mimicry of the matrilect, so that the apparent degree of xenolecticity of the evolving mimolect drops below the real level, as represented by the crossover of A-B and C-D.

No one brought home the bacon better than Stevens.

We can seldom, therefore, congratulate ourselves on the success of any cure of inversion.