Artists entangle epistemologies by turning scientific information into a representational device in its own right. That is, information becomes a distinct aesthetic element and a space of interpretive activity that diagnoses infowhelm—and, in some cases, even reproduces it—and experiments with ways of managing it.

For visitors falling ill or who are prone to acrophobia (fear of heights) or bathmophobia (fear of stairs), restoration workers installed a tiny emergency elevator to enable Park Service rangers to ascend quickly all the way to Liberty's neck and then spirit people out.

It all went off when the opposing teams' fans met at the railway station.

The semi-secret watching of Italian television produced a xenocentric fascination for Western countries and their consumer lifestyles, denied to Albanians for so long […]