I should again say that, when I speak of Miró's sparing use of shadows in his detailist work, I refer to shadow that falls away from the object that casts it, rather than to the shadow that models an object.

make a lentil stew

These gunny-sack chaps are not animals or savages. Look, Henry! They are semaphoring! See that tree there, and that big one across the cañon. Watch the branches wave.

We take off the little house-slipper things they gave us and put on our shoes.