Above all else, Chi Kang loved to draw horses, proud creatures that transcended common crudeness. Chi Kang regarded horses as living art forms – poetry in motion; stunning, powerful and independent; capable of lifting humans to a higher standard beyond their own capabilities in movement and freedom.

a membership drawn from the ranks of wealthy European businessmen

contingent labor

His face was one stamped with the quality of obliviality; to see him once was to insure forgetting him at least twice. But at the “Geegee” parties he was made tidy, which he usually was not, and put in prominent places.