Stan Myles adds that the Griffiths are still among us, too—still grinding out their fears and fantasies in the guise of “relevant” flicks, most of which turn out to be variations on the same old theme […] writers still churn out quick-buck distortions of the truth; but issues are avoided like the plague; white filmsters—in a frenzy of self-abasement, perhaps—have succeeded only in being more subtle instead of less racist; and even some black filmsters—in a rush for questionable glory—have created one-dimensional portraits of their people.