[T]he inmates of the coach, by numerous hard, painful joltings, and ponderous, dragging trundlings, are suddenly made sensible of some great change in the character of the road.

She curated the traveling exhibition.

'It's a Jockney pub,' he explains, making me wonder whether my thoughts were on air too. Sure enough, I ended up in the Globe. It was like a visit to the old Barras. It was like a little Glasgow.

While some films merely include jazz on their soundtracks, others, such as Shirley Clarke's Harlem Story, or Cassavetes' Shadows, or Rivette's L'Amour Fou, or Kiarostami's Ten, are formally jazzistic.