[…] but this sore night Hath trifled former knowings.
For 70 respondents (40 per cent), transmasculinity is unequivocally and qualitatively different from cismasculinity.
The fantasy of auto-sodomy is of great psychological interest, as both an acceptance of passive homosexual rape and a simultaneous defiance of it, since the actor is at once both bugger and buggeree.
The Song of the Nibelungen, and the Lament.
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