For instances of varying interpretations of the monumental hieroglyphics, among even the ablest Ægyptologists, Champollion, Rosellini, &c.,[…]

Timeless mother, / How is it that your aspic nipples / For once vent honey?

Tedd: Oh... does she, um... 'swing both ways'?Elliot: Swing? What swing?Tedd: No no, does she like apples... and oranges?Elliot: I don't know her fruit preferences.Tedd: Bisexual. Is she bisexual.Elliot: Oh! I dunno. Maybe?

Taking, therefore, this wide field, it is surely a very notable circumstance, to begin with, that this pathetic fallacy is eminently characteristic of modern painting. For instance, Keats, describing a wave, breaking, out at sea, says of it Down whose green back the short-lived foam, all hoar, Bursts gradual, with a wayward indolence.