Old Man and the Sea as an example of open literature, which closely relates to the parable, and is the literature of agoraphilia. It recognizes the necessity of fenestration. Out through its windows we continually catch glimpses of a larger world than that immediately encompassed by the story we are reading.

Thus, we provide evidence of differential regulation of visceral adiposity, liver steatosis, inflammation and fibrosis in Th1 and Th2 dominant mouse strains which could be related to differences in immunoinflammatory response to high fat feeding in C57Bl/6 and BALB/c mice.

O, spare me not, my brother Edward's son, For that I was his father Edward's son; That blood already, like the pelican, Hast thou tapp'd out and drunkenly caroused:

[…] Bram De Groot, a domestique with the Dutch Rabobank team, drops out the back, one arm in the air. The team car responds instantly, swinging out of the line of support vehicles behind the peloton and racing, klaxon sounding, up to De Groot. The window opens and a hand emerges with a bidon (plastic drinks bottle). De Groot places it in his back pocket and the hand emerges with another. This one goes down the back of his shirt, and it is joined by five more. Then off he sprints to deliver them to thirsty team-mates. De Groot is one of the domestiques and this is their lot. They continually drop off, collecting bidons and sprinting back into the peloton with grotesquely bulging shirts.