最終更新日：2022/12/24
The first disposition accords with the attested reality of Nero acting in masks resembling his own features or those of women with whom he was in love (Suet. Nero 21.3), especially Poppaea (Dio 63.9.5), and generates a set of roles for the deuteragonist all of which focus on failed counsel; it also underlines the parallelism between the Seneca-Nero and Nero-Prefect scenes, and reinforces the view that the First and Second Prefect are not identical.
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元となった例文
The
first
disposition
accords
with
the
attested
reality
of
Nero
acting
in
masks
resembling
his
own
features
or
those
of
women
with
whom
he
was
in
love
(Suet.
Nero
21.3),
especially
Poppaea
(Dio
63.9.5),
and
generates
a
set
of
roles
for
the
deuteragonist
all
of
which
focus
on
failed
counsel;
it
also
underlines
the
parallelism
between
the
Seneca-Nero
and
Nero-Prefect
scenes,
and
reinforces
the
view
that
the
First
and
Second
Prefect
are
not
identical.
