‘Mought be a little in the barn. But dont let him hyear us, er he'll find hit and po hit out.’

[I]ts main character, Henry (Mr. [Ewan] McGregor), is a successful, intellectual dramatist who seems quite capable of churning out fizzy, challenging works about brilliant but ambivalent revolutionaries, philosophers, etc. […] But this cleverer-than-thou creature gets his comeuppance in The Real Thing, showing that a very human heart – just like those possessed by the less sesquipedalian – beats beneath his fancy words.

The morphotype, or form-print, must hereafter take its place by the side of the logotype or word-print.

They are slow and reticent, and are like a dull good horse which lets every nag pass him, but with whip and spur will run down every racer in the field.