ONE of Ken Kwapis’s earliest filmgoing memories is watching the 1962 rampaging-monster movie “King Kong vs. Godzilla” at the local drive-in with his father in Belleville, Ill. Or rather, not watching it.

The motion of a horse may be compared to that of a Grasshopper in two respects. First, In respect of his swiftness. Secondly, Of his subsaltation, or bounding and leaping. I conceive God had respect only to the latter, in these words; for seeing this whole context doth not handle the nature of the horse in general, but only the marks or qualities of valiant horses; therefore the mention of this (namely, the subsaltation of horses) is much more proper than that of their swiftness or speed in running:

In laughing, there ever procedeth a conceit of somewhat ridiculous.

In the process of development there is a selective reduction of the silver-halide microcrystals of the photographic layer affected by the action of light, while at the same time the latent photographic image is intensified million and milliard-fold, as a result of which it becomes visible.