You from deep cauldrons and unmeasured caves / Blow flaming airs, or pour vitrescent waves […] .

[A]s his Verse is ſcabrous, and hobbling, and his Words not every where well choſen, the purity of Latin being more corrupted, than in the time of Juvenal, and conſequently of Horace, who writ when the Language was in the heighth of its perfection; ſo his diction is hard; his Figures are generally too bold and daring; and his Tropes, particularly his Metaphors, inſufferably ſtrain'd.

In the course of one of his climbs, he hears adult voices through a high window, goes to investigate, and comes across Jaime and Cersei energetically engaged in (to use a neologism popular with fans) twincest.

Having an audience would have allowed a more natural setting for the consecutive. The choice of individual sessions was dictated by the following considerations: (i) given that the recordings were made on an itinerant basis (sometimes at subjects' homes), it would have proved practically impossible to arrange an audience for every session; (ii) recruiting an audience for the consecutives recorded at university would have limited the pool of potential subjects without prior knowledge of the speeches; (iii) it would have been inconsistent to record some interpretations before an audience and others in individual sessions.