A large wooden frame, composed of a series of mouldings, which are one foot seven inches and seven tenths wide, encloses six (not five as represented by Messrs. Taylor and Cresy), bronze “latrated” panels, thus admitting air into the interior of the building and keeping up a ventilation, even when the doors are closed. […] These impressions lead to the conclusion, that the restorers of the Pantheon, guided by some example now no longer in existence, adopted the doors and latrated panels over them from some ancient monument, and filled up the vacant space by an arrangement, such as we now see it.