The old ladies had cosey times together.
For Deleuze, this inorganized, intensive body can find its expression in works of art where the struggle against representation is able to reveal pure presence, as in the paintings of Francis Bacon.
His next question takes me by surprise: “Have you ever suffered from cenosilicaphobia?” Huh?
She pits the lush 70s-style arrangements of Eumir Deodato against the oblique beatscapes of Mark Bell, who as a member of LFO led the UK charge to transform techno from euphoric hedonism into ominous paranoia.
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