Partly for this reason, the washing machine–like dishwashers after the mid-1970s–remained associated in commercial imagery with the domestic accoutrements of the affluent middle class.

The new model is not a patch on the original version.

Afaics, no platforming has always had a tendency to interpret and expand the definitions of what is effectively to be censored, such that (just by coincidence, of course) only the views of those imposing it remain... unopposed....

… queer sexuality, and what the pleasures and costs of such representations might be for both individual spectators and culture at large.