He argues that grammarlike conventions in storytelling alert the listener to connections between actions and scenic elements.

I found a long-sleeve henley in a long-john weave of cool, beautifully soft viscose for $125.

Whilst thus their fury rages at the bay, My sword our cables cut, I call'd to weigh, And charg'd my men, as they from fate would fly, Each nerve to strain, each bending oar to ply.

At the end of each row were cross benches which linked the rows.