Having partly a bibliographic value, and partly confirming the statements above as to Balzac's influence, the following details concerning theatrical adaptations of some of his novels may serve as a supplement to this chapter.

Holly poured the curved, cooked widgets of pasta into an enormous colander, and the water surged into the sink, sending up a wave of steam from which she recoiled, although in her teenagerdom and desire to cleanse herself, she suddenly realized that this was like a minifacial, and so she leaned over the sink, letting her pores open.

At the bottom of the hill is the river and there in the water is the horse with the bloodless wound, dying and vomiting water, calling out, hey bitchface, your turn to suffer now...

Swimmin' in women wit they own condominiums / Five plus fives, who drive millenniums / It's all about the Benjamins, what?