So far as the actual basis for this qualitative specificity is concerned, the odor really becomes specific but not nameably so, in terms of what one might call texture.

Traditionally, black American dance students have been consistently steered away from classical ballet and toward the supposedly more “suitable” fields of modern, ethnic or Broadway-chorus dancing. The Harlem Dance Theater performances showed beyond doubt that the practice was based not on rhyme but on prejudiced unreason.

His merit as a stylist was this—that he blent the antique and the romantic, pure outline with sensual fulness.

[…] one salient value of archival magazine preservation is that individual issues register, however unintentionally, the small, incremental, diachronic movements within a culture.