To be sure, SPRIGGAN, like AKIRA, is filled with slick blood and gore (the cackling Little Boy, with his Freddy Kruegeresque wire-cutter claw attachments...

And all without a safety net, second take, a stroke of Tippex, an editor or producer who knows all the knobs to press, and when, to keep one's shortcomings from wider exposure.

In spite of these conscientious reflections, he was too self-sufficient to think he should find any difficulty in obtaining forgiveness for these sins of omission […].

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