You can't hope to be considered one of the big men on campus unless you are a member of the right fraternity.

Show thy art in honesty, and lose not thy virtue by the bad managery of it.

And when marked forté, the notes in a particular passage should all be relatively played at the same loudness. […] Algernon's take on playing forte is to play, rather, with sentiment.

Just what this thoughtform is, few people know, but their definition includes the idea of a huge elemental form which bars the way to the sacred portal, or the idea of a fabricated form, constructed sometimes by the disciple's Master to test his sincerity. Some regard it as the sumtotal of a man's faults, his evil nature, which hinders his being recognised as fit to tread the Path of Holiness.