[…] it is therefore prudent to include the get-out costs in the production budget rather than as an accrual in the running budget.
The sellsword scrambled backward, checking each blow, stepping lithely over rock and root, his eyes never leaving his foe. He was quicker, Catelyn saw; the knight's silvered sword never came near to touching him, but his own ugly grey blade hacked a notch from Ser Vadis's shoulder plate.
I heard a knock on my door.
The pale, inscrutable determinateness, and flinchless intrepidity of Pierre, now began to domineer upon them; for any social unusualness or greatness is sometimes most impressive in the retrospect.
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