It had not helped the duke to build himself a cannonproof stone chamber to sleep in for dread of vengeance after the assassination of Orleans.
In my message, I spewed out all of the anger I had built up over the years – years of her bitchy, instigating and deliberate acts of cuntiness.
Much of Scelsi’s output was created in an unusual way: he would improvise on a piano, a guitar, percussion instruments or, later in his career, an ondiola, a three-octave electronic instrument that could capture vibrato and microtonal intervals.
[…] Therefore, if the converted won't reconvert, their master, or one so guised, should undertake to play our tune. A touch of truthache essentials, lest sharper drama too soon becloak our stage, and weary our watchers of our play.
アカウントを持っていませんか? 新規登録
アカウントを持っていますか? ログイン
DiQt(ディクト)
無料
★★★★★★★★★★