Inasmuch as the combination of Prussian blue with water and other analogous mixtures belong neither to the category of true solutions, nor to that of emulsions or demulsions, nor to the mucilages or jellies, […]

In her relationships with the Montefeltro and Borgia, Isabella continued to ensure that double-handedness was not exposed, presenting diverse appearances of reality to different audiences to preserve alliance.

Until about 1900 the r-element attached to mediopassive endings was merely regarded as a marginal feature peculiar to Halo-Celtic; it was taken as evidence for Italo-Celtic because it was supposed to be an innovation of these two groups.

It may be mentioned, in this connection, that while the melodies in GrameGeya and the Aranyaka are based on mono-verses those in the Uha and Rahasya are elaborated generally on tfcas, triple Tcas, from the Uttara Arcika of the Samaveda.