The virtual absence of white in Mr. Whitney’s work creates a great visual heat and internal pressure — an alloverness that reflects his careful study of Pollock — but, of course, it also has symbolic overtones.
This end of the Axel is to be faſten'd into a Wheel, exactly like thoſe, which are us'd in many Places, for the roaſting Meat.
The company was gay and colorful. We had, among other things, an FLN [National Liberation Front] rebel from Algeria, a hunchback from Notre Dame, a penniless German blonde, with straight Nordic hair and a perfect bikini body, who was really going to try to make the scene at St. Tropez, […]
As oil production worldwide plateaus and falters, other fossil fuels are coming under strain, and no alternative — renewable or otherwise — shows any sign of being able to take up the slack.
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