Pharmacological approaches often bear the burden of unselectivity.
To manage children so skilfully that they do not know they are being managed is a great art. A good driver never naggles his horse : he lets the bit prove a guide, but not an irritant.
From the first, jungle-set shot, the redoubtable d.p. Hélène Louvart gives the film the daubed, traffic-light palette of a ripe mango; were it possible, you’d expect it to have an aroma to match.
So the lawyer talks to him, and tries to get the details of the case, but the guy's not really forthcoming, you know, he won't say exactly where he lives, won't give any names, and the lawyer is thinking something's funny, but still there's real panic …
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