I was to dance with Kidder the livelong night / But got my time beat by Charley Wright. / If I ever have to have a fight / I hope it will be with Charley Wright; / For he was the ruin of my soul / When he beat my time with Kidder Cole / (missing stanzas including one about Kidder going to South Carolina) / But she came back the following spring / And oh, how I made my banjo ring; / It helped me get my spirit right, / To beat the time of Charley Wright.

If a dad is commuting to the city to New York and goes to New York on the seven o'clock train and comes home on the seven o'clock at night train, then he is a weekend dad; [he] is not really involved as the primary parent.

The costumes should be a key device to charting the passage of time and trends in this show, but Julie Jackson's designs are a confusing clutter of styles, tackily manufactured, and jumbledly arranged.

He speaks about working with craftsmen to recarve both wood and plaster at the New Amsterdam Theater, and he is the project manager for the Theater for a New Audience, which is planned for a site near the Brooklyn Academy of Music.