In silk an' sattin ilk ane scances, An gauze beside, They've loupit o'er a' sort o' fences Wi perfect pride.
Then he got up with a sigh, changed into dog robbers and went into the town to get drunk.
'I'll set my foot in a bottomless boat, / And swim to the sea-ground.'
In the gap of twenty years between girl and woman, what devastating life forces might have been at work, wiping bloom from cheek, dulling gleam from eves, distorting lips, smiting haggard lines on face, hardening or unshapening sweet and beloved contours, hardening, too, the mind, drying up the heart, arresting the development of the soul?
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