The parson's part in the dialogue was chiefly remonstrative as to the necessity of Ned's variegated adjectives.

Whether in process of time Shakspeare grew weary of the bondage of rhyme, or whether he became convinced of its impropriety in a dramatick dialogue, his neglect of rhyming (for he never wholly disused it) seems to have been gradual.

I still got sand stuck between my toes. I can feel it ooching around down there.

Yet strictly we should all be teapot agnostics: we cannot prove, for sure, that there is no celestial teapot.