Even a cinemaphobe operaphile ought to score twenty or more. A true cinemaddict can extend his/her score to a possible one hundred points by naming in addition the fifty actors who played the characters capitalized in the scene descriptions.
Easier divorce, equal pay for equal work as between men and women, no discrimination between the sexes in employment – these were her causes, and in promoting them she was no comic-strip feminist termagant, but reasonable, logical, and untiring.
'My dear Devereux, I say, you mustn't talk in that wild way. You—you talk like a ruined man!' 'And I so comfortable!' 'Why, to be sure, Dick, you have had some little rubs, and, maybe, your follies and your vexations; but, hang it, you are young; you can't get experience—at least, so I've found it—without paying for it. […]'
He shot the couple in a variety of poses.
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