最終更新日:2022/12/23
From Zimmer’s Batman scores, via the many knockoffs for the Marvel Cinematic Universe, to Marco Beltrami’s score for World War Z, the main ingredients — churning strings hectically repeating the same four- or five-note motif, with a BRAAAM dropping every so often — are both pulse-quickening and exhausting.
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元となった例文
From
Zimmer’s
Batman
scores,
via
the
many
knockoffs
for
the
Marvel
Cinematic
Universe,
to
Marco
Beltrami’s
score
for
World
War
Z,
the
main
ingredients
—
churning
strings
hectically
repeating
the
same
four-
or
five-note
motif,
with
a
BRAAAM
dropping
every
so
often
—
are
both
pulse-quickening
and
exhausting.