In his analysis of ceroc classes, Jonathan Skinner (2003: 16) describes how the grammar, tone and movements of the lessons have clear structure to their teaching which allows a safety valve for the expression of erotic play and sexual desires; as one dancer commented, these were 'nights to act out and act up, to perform, feign illicit passions and create romantic impersonations within a carefully controlled and contrived social matrix'.

At the back of the cupboard, you find your interview skirt, the one you bought when you had cash to purchase an approximation of the fashion spreads you mulled over in magazines.

We won the cup, we won the cup, ee aye addio, we won the cup!

[Paddy] McNair also acquitted himself well after [Marcos] Rojo was injured sliding into a challenge with Martín Demichelis […]