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Consequently, these nominally “bisexual” transsexuals can more accurately be thought of as pseudobisexual (Blanchard, 1989b, p. 622).

His [Jean Racine’s] tragedies are not poetry, are not passion, are not imagination: they are a parcel of set speeches, of epigrammatic conceits, of declamatory phrases, without any of the glow, and glancing rapidity, and principle of fusion in the mind of the poet, to agglomerate them into grandeur, or blend them into harmony.