Chapter 3 examines the racial and class politics of musical play as they are manifested in negotiations among the postcommunist state, the European Union, the global music industry, and Roma minority groups. The argument foregrounds a disavowed register of European nationalisms: the moral majority’s ludophilia toward “lazy” and “unproductive” Gypsies. Evoking Stuart Hall’s theorization of the playful Caribbean cultural identities, the chapter discusses Roma Rap, […]

[S]he knew Huntly for the ambitious traitor he was, a man peculiarly perfidious and self-seeking.

How many more such incidents have to happen at Fox News — or elsewhere — before everyone gets a clue about basic workplace — and overall social — behavior?

During the time it is working down , the head and winter will require an additional scaleboard now and then , which will be ascertained by observing whether the pull produces an adequate impression