tateonarauto practise stage combat

Gojūon no soto ni, mata, isshu no jukuon ari. Kore o dakuon, oyobi, handakuon to iu. Dakuon to wa, hon’on o nigorite yobu mono nite, shion no naka, ka, sa, ta, ha, no shigyō no shoon o iu. Kono on o shimesu ni wa betsu ni, sono moji naku, hon’on no kana no kata ni, niko no shōten o kuwau. Sunawachi, hidari no gotoshi.Outside the fifty sounds, there is yet another class of complex sounds. These are called ‘muddy sounds’ and ‘semi-muddy sounds’. Muddy sounds are the base child sounds of the four rows ka, sa, ta and ha, being muddied up when they are pronounced. There are no letters to specifically note these sounds, so two small dots are added on the shoulders of the kana for the base sounds, as shown on the left.

Konnichi no shakai ga binbō to iu taibyō ni okasaretsutsu aru koto o akiraka ni suru ga jōhen no shugan de atta ga, chūhen no mokuteki wa kono taibyō no konpon gen'in no nahen ni aru ka o akiraka ni shi, yagate kono monogatari zentai no ganmoku ni shite gehen no shudai taru beki binbō konjisaku ni hairu no kaidan tarashimuru ni aru.The main purpose of the first section was to show that today's society is being afflicted by a grave disease called poverty. The purpose of the second section is to clarify where the root cause of this disease lies and to make that a step towards eventually going into the complete cure for poverty, which will be the topic of the third section and the main object of this whole composition.

Jobanni wa niwaka ni kaoiro ga yoku natte isei yoku o-jigi o suru to dai no shita ni oita kaban o motte omote e tobidashimashita.