Sakura no ki no shita ni wa shitai ga umatte iru! Kore wa shinjite ii koto nanda yo.There are dead bodies buried under the cherry trees! This is something you should believe.

suida suyui u sansu

ifu sutōrī

Shion to wa, gojūon no naka yori, goko no boon o nozoki taru, hoka no shijūgoon o iu. Kowa, fubo ryōon no haigō shite nareru mono nare ba, sono onsei tanjun narazu. Yue ni, (ka……a), (ki……i) no gotoku, koe o nagaku hiku toki wa, sono in kanarazu boon ni kisuru nari. Ima, koko ni fuon to boon to haigō shite, shion o shōzuru junjo o shimesamu.Excluding the five mother sounds from the fifty sounds, the forty-five remaining sounds are called ‘child sounds’. Since they result from combining father and mother sounds, their quality is not simple. Thus, if the voicing is prolonged, as in (ka……a) or (ki……i), the rhymes always turn back into mother sounds. Now, I shall demonstrate the order in which father sounds and mother sounds combine and bear child sounds.