What Time would spare, from Steel receives its date.
So complete was this illusion, claims [Eric] Lott, that many audience members, including Mark Twain's mother, believed they were seeing authentic, biologically black performers on New York stages. Of course, wench characters seem to especially test the bounds of authentic performance. Played by men, wenches were nonetheless read by audiences as beautiful women: … [E]xtant photographs and engravings of wench performers do not always represent them as blacked up, […] In antebellum minstrel shows, wench songs were most often sung about mulatto women rather than by them.
Thus did the Chancellor, now crying, like Cassandra, with a scare-babe voice, now stating his views with the sententiousness of Nestor, now arguing calmly in a tone of specious frankness, — artfully appealing to reason or prejudice or fear, touching every string, political, dynastic, and religious, — thus did he endeavor, throughout the year 1847, to resist the torrent which he saw was rising, rising, and which, he knew, threatened to sweep away the dam.
scare-babe voice,
For the moment speech failed him, so active were his gastric Juices. The belly god in him was passionately aroused.
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DiQt（ディクト）
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