take two of these and call me in the morning
It’s hard to go wrong with the ravishing Norma Bengell, a leading star in Italian and Brazilian cinema throughout the past four decades (known to fans of classic Italian horror from Mario Bava’s Planet of the Vampires), as Nino’s supportive wife, Marta, who brings her own kind of intuition into the family, granting his bemustached sister some confidence (with the help of beauty technology) and, like her husband, establishing an adaptive approach to life that incorporates the industrialized North and the tribal South.
What is unbearable, in fact, is the feeling, 13 years after 9/11, that America has been chasing its tail; that, in some whack-a-mole horror show, the quashing of a jihadi enclave here only spurs the sprouting of another there; that the ideology of Al Qaeda is still reverberating through a blocked Arab world whose Sunni-Shia balance (insofar as that went) was upended by the American invasion of Iraq.
Jess doesn't attend the talks because she's got teleconfs with Beijing and Tokyo, but that evening, as I'm dressing for the conference dinner, I tell her about Matthew Rossi's words at the Wormhole, […]
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