In the second scene, the camera switches to the father listening, angsting, dying inside, but saying nothing.
the house of Condé, collateral with the Bourbons, was perennially at daggers drawn with the rival Orléans dynasty […]
We have to separate ourselves from Homo Aristophaneus of the 5ᵗʰ century B.C. The crucial difference is the use of pejorative language which we define as verbal references to certain areas of the human body which are considered social taboo – and therefore must be hidden, for we consider them dirty. For Athenians, this was not something to be said in a euphemistic way, but as something to be enjoyed and talked about, as the human body was always available as a healthy and important part of life.
dirty
When Marat took out a pistol at the tribune, and exclaimed, “One word more, and I shoot myself,” or when David rose from the extreme bench of the Mountain and shouted out, “I demand, I insist upon it, that you assassinate me,” they were scarcely more ripe for Charenton than M. Odillon Barrot, when, Cataline-like, he rushed from the Palais Bourbon, “Abiit, excepit, evasit, erupit”—when, Sylla-like, “He dared depart / In savage grandeur home,” to return, the next day, with the same decent demeanour and benign appearance, at the head of the same array of evening-dressed and white-cravatted individuals, professing bit by bit, and day after day, principles which in their accelerated advance approach them more and more to sans culottes.
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