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It is possible, then, to point out a few types of objects which came into China before T'ang together with Buddhism via Central or Western Asian contacts. The same is also the case with the ornamentation. An account of the pre-T'ang Buddhist sculpture offers an excellent opportunity to study the change of the lotus motif in the fifth and sixth centuries. Particularly in the latter part of the sixth century the lotus descriptions are executed in a luxuriant way and often quite naturalistic. These lotus representations are easy to trace to their Indian origin, whereas it is rather difficult to follow the versions of the lotus ornamentation in the Central Asian city-states. We might assume that the artists from Khotan played an important role also here.
She had little features, a button nose, a pretty chin and a long graceful neck.
I do not think this article says much about separation between subsaharans and the rest
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