When liberty is gone, / Life grows insipid, and has lost its relish.
What has changed since the time of Looney Tunes is the discombobulation of characters' faces. Eyeballs constantly bulge beyond normal proportion to show shock or jubilation; cheeks shrink, sag or even bend in shame, fatigue or anger. Each emotion is heightened, overemphasized with cubist contortions.
Feng-Shui views heaven and earth, the whole universe, as one great fetich, animated by a blind unintelligent but omnipotent vitality, a vitality in which man shares, and of which, by the exercise of his intelligent faculties, he may procure a larger and better share than would otherwise fall to his lot. As a practical art, Feng-Shui is the terrestrial sister of Astrology, a mode of deciphering the destinies of an individual as included in the vast complications of the universal whole, but in this respect the earthly sister excels her star-gazing prototype, that by means of Feng-Shui a man learns not only what his fate is, but how it may be modified to his own advantage.
[…] any supposition that the construction was symmetrical, or that the discourse of the missionary and the missionee is evenly shared must surely be questioned.
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